There are some shows that don't need a story, don't need an explanation, don't need a meaning. Kidd Pivot's Dark Matter was just that show. I was in pure Heaven for well over 75% of this performance. After their incredible tour-de-force Lost Action last year, I was willing to watch literally anything they wanted to show me.

Take away any gender connotations from the term Patriarchal Power, and it seems like the best term to describe Kidd Pivot Frankfurt RM's "Dark Matters." Can an artist’s creation take such a hold, that it can literally take over their creator's lives? Crystal Pite's creation has that certain quality to it, generating the type of ambiguity that begs to be analyzed further.

"This is, in short, art of the highest caliber. And it's spellbinding." - Seattle Times

"Kidd Pivot Frankfurt RM’s Dark Matter Sparks Electricity" - Seattle Dances

"3 Perspectives on Crystal Pite/Kidd Pivot" - ArtDish

"In the Master Class With Crystal Pite's Company" - The SunBreak