Okwui Okpokwasili and Peter Born
Bronx Gothic
A solo creation at the intersection of theater, dance and visual art installation, Bronx Gothic gives palpable force to the charged relationship between two girls on the verge of... More
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About this performance
Bronx Gothic
A solo creation at the intersection of theater, dance and visual art installation, Bronx Gothic gives palpable force to the charged relationship between two girls on the verge of adolescence in the 1980s—where Newports are bought in singles at corner bodegas, and sex-saturated notes are passed in class. In a performance of psychic and physical collisions that threaten to break the body, it’s an unflinching look into the exquisite turbulence of one woman’s memory. Created in collaboration with designer / director Peter Born, Bronx Gothic draws inspiration from Victorian-era novels and West African griot storytelling to reveal an honest, dark and powerful tale of sexual awakening.
Filmed at PSU Shattuck Hall Annex
Presented by Portland Institute for Contemporary Performance
Performance: Sept 12, 2015
Venue: PSU Shattuck Hall Annex | Portland, OR
Duration: 92 min
Posted: Jul 12, 2016
Cast & Credits
Written and Performed by | Okwui Okpokwasili |
Directed, with Scenic and Lighting design by | Peter Born |
Original Songs by | Okwui Okpokwasili |
With Music by | Peter Born and Okwui Okpokwasili, Special Thanks to Veronica Okeke |
Sound Design consultant | Philip White |
About The Artist
Okwui Okpokwasili and Peter Born work collaboratively to create multidisciplinary projects. Their first New York production, Pent-Up: A Revenge Dance premiered at Performance Space 122 and received a 2010 New York Dance and Performance “Bessie” Award for Outstanding Production; an immersive installation version was featured in the 2008 Prelude Festival. Their second collaboration, Bronx Gothic, won a 2014 New York Dance and Performance “Bessie” Award for Outstanding Production and continues to tour nationally and internationally. In June of 2014, they presented an installation entitled Bronx Gothic: The Oval as part of the Lower Manhattan Cultural Council’s River to River Festival. Their current project in development is Poor People’s TV Room, an early iteration of which was presented by Lincoln Center in the David Rubinstein Atrium in June 2014.
Okwui Okpokwasili is a New York-based writer, performer and choreographer. In partnership with collaborator Peter Born, Okpokwasili creates multidisciplinary projects. Their first New York production, Pent-Up: A Revenge Dance premiered at Performance Space 122 and recieved a 2010 New York Dance and Performance “Bessie” Award for Outstanding Production; an immersive installation version was featured in the 2008 Prelude Festival. Their second collaboration, Bronx Gothic, won a 2014 New York Dance and Performance “Bessie” Award for Outstanding Production and continues to tour nationally and internationally. In June of 2014, they presented an installation entitled Bronx Gothic: The Oval as part of the Lower Manhattan Cultural Council’s River to River Festival. Their current project in development is Poor People’s TV Room, an early iteration of which was presented by Lincoln Center in the David Rubinstein Atrium in June 2014. Her performance installation “when I return, who will receive me” premiered in the 2016 LMCC River to River Festival.
As a performaner, Okpokwasili frequently collaborates with award- winning director Ralph Lemon, including How Can You Stay in the House All Day and Not Go Anywhere?; Come home Charley Patton (for which she also won a New York Performance “Bessie” Award); a duet performed at The Museum of Modern Art as part of On Line: Drawing Through the Twentieth Century; and, most recently, Ralph Lemon’s Scaffold Room.
Okpokwasili’s residencies and awards include The French American Cultural Exchange (2006-2007); Maggie Allesee National Center for Choreography Choreographic Fellowship (2012, 2016); Baryshnikov Arts Center Artist-in-Residence (2013); New York Live Arts Studio Series (2013); Under Construction at the Park Avenue Armory (2013); New York Foundation for the Arts’ Fellowship in Choreography (2013); Lower Manhattan Cultural Council’s Extended Life Program (2014-16); The Foundation for Contemporary Arts’ artist grant in dance (2014); BRIClab (2015); Columbia University (2015), the Rauschenberg Residency (2015), Lower Manhattan Cultural Council’s 2016 Presidential Award for Excellence in the Performing Arts. Okpokwasili is currently the 2015-2017 Randjelovic/Stryker New York Live Arts Resident Commissioned Artist.
Peter Born is a director, designer and filmmaker. In addition to his work with Okpokwasili, he is currently collaborating with David Thomson on he is own mythical beast a cycle of installation/ performances revolving around a post-sexual incarnation of Venus, happening throughout 2015-16. He created the set for Nora Chipaumire’s rite/riot, and he has created performance videos with Chipaumire, including the upcoming “El Capitan Kinglady”. He works as an art director and prop stylist for video and photo projects with clients such as Vogue, Estee Lauder, Barney’s Co-op, Bloomingdales, Old Navy, “25” magazine, Northrup Grumman, and The Wall Street Journal, with collaborators including Kanye West, Barnaby Roper, Santiago and Mauricio Sierra, Quentin Jones, and NoStringsUS Puppet Productions. He is a former New York public high school teacher, an itinerant floral designer, corporate actor-facilitator and furniture designer. His collaborations with Okwui Okpokwasili have garnered two New York Dance Performance “Bessie” Awards.
Photo: Okwui Okpokwasili and Peter Born
Reviews
Some Girls Just Know Things
"...Ms. Okpokwasili conjures and probes this adolescent friendship, a jumble of insults, anger and love." - The New York Times
The big bang of 'Bronx Gothic' starts 'OnEdge' series
"The exertion, in word and movement, is near-painful to witness, leaving one shaken yet also dazed. Am I awake?" - BombMagazine.org
Okwui Okpokwasili's Bronx Gothic
"...Okpokwasili is quite simply a virtuoso, an exquisite singer, speaker, writer, mover, a siren who draws us to danger." - Chicago Tribune
Review of Okwui Okpokwasili’s Dance Performance Bronx Gothic
"...a synecdoche of spectatorial desire for meaning." - Advocate
Related Links
- Interview | with Jenna Scherer, Coil Festival
- Interview | with Marisa Mazria Katz, Creative Time Report
- Video Interview | with Baryshnikov Arts Center
- Video | Bronx Gothic process at New York Live Arts
- Video | Bronx Gothic early research
- Performance Text Excerpts
- Review | The Dance Enthusiast
- Review | The Sydney Morning Herald
- Review | The Dance Journal
- Review | Fusebox Festival Blog
- Review | Fusebox Festival Blog
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